>>4074
I'm not a pro photographer but I own a Red One 4k movie camera. I remember having to argue with a First AC who wanted to change the ISO setting for each shot, and trying to tell him how the ISO doesn't effect the RAW image and not to fucking touch it because it will create headaches in post production.
Anyway, when Phantom Menace came out, Rick McCallum was campaigning to get theaters to install 4k projectors since they shot SW at 4k. I'll see if I can find a video of him talking about it.
As most modern 35mm digital cameras have the option to shoot in RAW, it's really the same with the Red camera except it captures frame by frame. The Red's sensor is 12 mega pixels to achieve 4k, but that can be dropped down to 1k or 2k.
I'm not an expert on the RAW image, my understanding comes from learning how to use the Red and then sitting through post production and listening to those guys. There's so much to learn and it kinda makes my head spin.