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The next generation of Infinity is here (discussion) (contribute)
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File: 1433798894778-0.jpg (67.73 KB, 225x259, 225:259, .art.jpg)

File: 1433798894779-1.png (88.78 KB, 297x331, 297:331, loomis- successful drawing….png)

 No.3041

I think it would be pretty cool if we could breakdown books, discuss ideas presented in them, and bring light to the minor things that often go overlooked inside of them. There are gems, ideas...that become the most influential and powerful when you consider their reasoning and truth.

I'll start with Loomis- Successful Drawing(page 11), so for maybe 5 days we can discuss certain things written by Loomis.

I will upload a file for the portion I will be talking about.

What Loomis is saying here is really interesting. It reminds me of Craig Mullins' recent comment that it's not enough to be good at drawing and painting. You need to be able to offer something different enough from everyone else, such that people will hire you over someone else.

This section is also relevant to when we try to measure professional artists against each other. In my eyes, it's not the levels of knowledge that make a difference, it's what they decide to make. Sometimes we confuse choices for better knowledge or skill.

It seems also, that the internet has become the 'pool' for the knowledge of illustration and concept art. And truly, you see in great quantities people teaching and absorbing knowledge. Loomis would be proud, I'd say.

I see truth in Loomis's statement that it is difficult to teach without presenting his own work. Not only does it provide validity for their opinion, but more importantly it shows the student a demonstration of what he's talking about. I will often wait until I can show something before I post a critique. If I can't make something, if I can't even do what I'm discussing, I tend to drop my critique.

I think that's all I have to talk about this one! Think about it, and if you have any ideas, discuss them.

 No.3045

neeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeerd

s


 No.3157

File: 1434761068741.jpg (2.4 MB, 1752x5426, 876:2713, 1429927285511.jpg)


 No.3158

>it is difficult to teach without presenting his own work. Not only does it provide validity for their opinion, but more importantly it shows the student a demonstration of what he's talking about. I will often wait until I can show something before I post a critique. If I can't make something, if I can't even do what I'm discussing, I tend to drop my critique.

Based, we need more people like you.


 No.3164

Would you mind if I put a review up of Drawing beautiful women: The Frank Cho method by Frank Cho?

It seems tangentially relevant to this thread.


 No.3180

>>3164

Please do. I'm interested.


 No.3195

File: 1434877369734.png (346.27 KB, 693x432, 77:48, 1431778175591.png)

>>3157

That's so depressing.

Education is free in my country, but I would pay to be trained by a master artist.


 No.3229

File: 1435002792314-0.jpg (2.67 MB, 3264x2448, 4:3, 20150622_123732.jpg)

File: 1435002792314-1.jpg (2.9 MB, 3264x2448, 4:3, 20150622_123756.jpg)

>>3180

To start, I would say that Drawing beautiful women is decent to good for a supplementary anatomy book. I call it a supplementary anatomy book because it doesn’t dive into the specifics of anatomy like muscles, it just glances over the form and makes the assumption that you would figure out anything beyond what it tells you on your own time.

I would like to break the book up into halves, the first half focuses on the anatomy of women, how to draw the body parts, the proportions of the body and face, what structures to keep in mind when you’re drawing. However, as the title implies, this book only covers women; if you’re looking for information on structures or forms that are specific to men then look somewhere else.

The second half of the book is the Frank Cho’s processes; he shows a bunch of drawings and paintings and breaks them down into steps, with the pictures of the drawings/paintings at those stages, which usually go like rough sketch, sketch, drawing half complete, finished drawing. Although there is information related to the medium he is working with i.e. painting has information on colours and illustrated the relationships between warm and cool colours.

The book finishes with the methodology that Frank Cho uses when he is drawing which is that he works backwards by coming up with the ending/joke and works toward it.

This book isn’t a Dynamic Anatomy or a Loomis but it’s not trying to be, a better comparison would be if Norman Rockwell wrote a book with information on how he draws the things he is known for and if he added demonstrations of his work from start to finish.

To better illustate what I mean, here are some phone pictures of pages from the books. [1/4]


 No.3230

File: 1435003270557-0.jpg (2.82 MB, 3264x2448, 4:3, 20150622_123806.jpg)

File: 1435003270559-1.jpg (2.73 MB, 3264x2448, 4:3, 20150622_123816.jpg)

[2/4]


 No.3232

File: 1435003708047-0.jpg (2.86 MB, 3264x2448, 4:3, 20150622_123850.jpg)

File: 1435003708048-1.jpg (3.56 MB, 3264x2448, 4:3, 20150622_123832.jpg)

>>3230

[3/4]


 No.3233

File: 1435003832642.jpg (2.96 MB, 3264x2448, 4:3, 20150622_123912.jpg)

[4/4]


 No.3248

>>3233

Looks interesting, I've already got Loomis & Hampton for anatomy. This might be a nice supplement.

Thanks, Anon.




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