>>1784no u
>>1785I thought David himself claimed that his films are creatures open diegetical creatures devoid of objective explanation, even to the creator himself. He disregarded clarifying meaning to his works and encouraged viewers to draw their own subjective impressions and interpretations. Watching through his filmography, I feel inclined to agree —his stories aren't mere puzzles, intrincate mechanisms to be decyphered within a defined circuit in the lines of what a movie like Memento could be. You are not supposed to
get them. They trascend objective meaning to reach and evoking dimension, even if they do have a rather detailed plot which stimulates thoughtful interpretation play.
Inland Empire could be either shameless mindfuck wankery or a subtle text. It matters little. It's a film driven by symbols, that clearly indulges in representing subconscious perception. I personally find it to be very emotional for reasons I cannot even explain to myself. I always cry like a little bitch at the final scene.