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Welcome to /film/ discussion. Subscribe to our new RSS Feed! Email: film [at] 8chan [dot] co. For mainstream movies visit /tv/.
Featured Topics: March Film Club - Last Watched - Best of 2014 - /film/ Charts - /tv/ Charts - Doc - Pod - OST - webm - KG - Posters - Stills - Resources

Film Club #15 - The Strange Color of Your Body's Tears (Hélène Cattet & Bruno Forzani, 2013)


File: 1424640959609.jpg (95.65 KB, 584x842, 292:421, Historia_de_mi_muerte.jpg)

 No.3425

mod update Feb 24

The next pair of Film Club selections come from a member who found our previous pair of featured films to be significantly lacking. He introduces his first selection as follows:

> Slow paced and aesthetically inspired by the paintings of the old masters, Historia de la meva mort talks about the transition between the age of enlightenment into romanticism though the extraordinary duo of characters of Giacomo Casanova and Count Dracula.


> No one else working today makes movies remotely like Serra, a cerebral oddball and improbable master of cinematic antiquity. Serra sets in motion contrasting ideas about pleasure and desire, alternating between winding philosophical dialogue and wordless passages of savage beauty. ~~ Dennis Lim, Los Angeles Times


http://www.imdb.com/title/tt3102458/
http://sensesofcinema.com/2013/feature-articles/everything-is-dead-but-the-motor-still-turns-an-interview-with-albert-serra/

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Post last edited at 2015-02-24 15:58:13

 No.3454

File: 1424794437008-0.png (392.13 KB, 1025x436, 1025:436, mort1.png)

File: 1424794437008-1.png (803.48 KB, 1025x436, 1025:436, mort2.png)


 No.3455

File: 1424797292227.png (84.35 KB, 500x105, 100:21, historia-de-la-meva-mort-a….png)

imo the current banner is pretty ugly, I made this one, not really sure about the font though

 No.3477

Saw this a few months ago… mixed feelings. I like a director who is able to create a distinctive style, even though this particular style isn't my favorite.

 No.3498

I hadn't read that interview before. My main issue was the drab Barry-Lyndon-on-a-camera-phone aesthetics, but it sounds like Serra wanted "the most horrible technicians" and the "cheapest cameras". Obviously it's striking when he hits the target after handicapping himself like that, but it can be tedious in the meanwhile.
That said the interview does make me judge his work less harshly.

 No.3505

I've only watched the film in a cinema and assumed that the screenshots from >>3454 are taken from some really shitty rip because on 35mm it doesn't look anything remotely like that.

 No.3506

>>3505
It's only available on DVD afaik. From the interview I could not tell if he actually wanted it too look like that. It's encouraging to hear the cinema experience was better. If the home release is no good I'll bet that's part of the reason there's a difference between the critical and public reception.



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