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File: 1442752542873.jpg (170.87 KB, 800x521, 800:521, 1423463261557.jpg)

 No.63

Hello friends.

Seeing as some of us recently watched his films, I thought I'd start a thread.

What were your favourites and why?

What do you like most about his style of filmmaking?

 No.65

I guess I'll start.

A Separation > About Elly > Fireworks Wednesday >> The Past

Will probably watch the other two at some stage as well. I hope he goes back to filming in Iran as The Past definitely felt as if it lost something.

A Separation is just amazing for how the story unravels like a onion, layer by layer, and slowly draws you in. I am so glad I went into it completely blind on the first viewing. I think it will become one of those movies I watch at least once a year.

My favourite part of About Elly was how he made you feel that you were a part of their circle of friends, sharing their in-jokes and playful jabs at one another, but then when tragedy strikes all their hang-ups about one another are revealed. There is so much tension from that point onwards and I was just on the edge of my seat waiting to piece together the mystery surrounding Elly.

I enjoyed Fireworks Wednesday mostly because of Roohi's playful naivety contrasted with the cynicism and paranoia of the married couple with problems. It made her decisions all the more interesting, especially when it came to when to lie and for what reasons.

The Past was good, but felt a lot more forced/contrived. Maybe I had just watched too many of his films in a short amount of time.

For me, what Farhadi does best, is create very realistic and relatable characters. He deals with the concept of gray morality and flawed characters with redeeming qualities trope so well it turns the average-sounding drama into such a gripping tale.

I also really enjoy how he incorporates elements of the background/environment - whether it be the partitions in A separation mirroring the divides in gender/social/religious standings or the incessant sound of the fireworks/waves crashing reminding us of the inner turmoil present.


 No.74

About Elly > The Past = A Separation > Fireworks Wednesday

I downloaded Beautiful City but the quality was quite poor so I'm currently looking for a better rip.

I don't mean to take anything away from A Separation and Fireworks Wednesday because they're still both great films and kept my attention through and through, it's just that About Elly and The Past develop from a normal everyday situation into something that's a real downer and continually complex. What I loved most about Fireworks Wednesday that I finally had a small breather at the end.

>What do you like most about his style of filmmaking?

I like how complicated the relationships are. It's strangely voyeuristic to watch something that seems so real despite the differences in culture. The Past may have taken some liberties given there are less complicated laws than in Iran but it was still one of my favorites.

>>65

>I enjoyed Fireworks Wednesday mostly because of Roohi's playful naivety contrasted with the cynicism and paranoia of the married couple with problems.

That's an interesting way to look at that completely slipped my mind. It add more affect to the ending when Roohi had to sacrifice some of her innocence to keep the relationship on an even keel. Her naivety comes back in play when we discover she rekindled suspicions.


 No.90

A Separation > About Elly >>> The Past > Fireworks Wednesday

A Separation and About Elly are both, in my opinion, modern masterpieces and the best examples of Farhadi's tendency to tease these fantastic conflicts out of characters and reveal information about them over the course of the film, instead of keeping the characters static after the first couple scenes. I feel like he took this a bit too far in The Past– although it's still quite engaging, I felt it took one or two twists too many. Fireworks Wednesday is great if a bit slight, and definitely feels rougher and not as fully formed as his last three films.

I've got a rip of Dancing in the Dust that I might watch tonight if I have time, although I'm not expecting anything similar to the four films of his I've watched since it's his debut film.

The latest chatter about Farhadi is that he's back to making a film in Iran before moving on to Spain, where he's shooting a film in English and Spanish with Pedro Almodovar producing.


 No.91

>>90

>I've got a rip of Dancing in the Dust that I might watch tonight if I have time, although I'm not expecting anything similar to the four films of his I've watched since it's his debut film.

Whoa where did you find it?

>The latest chatter about Farhadi is that he's back to making a film in Iran before moving on to Spain, where he's shooting a film in English and Spanish with Pedro Almodovar producing.

That's pretty rad. I guess I can postpone my suicide for another year.


 No.92

>>91

>Who where did you find it

link sent it to me, it's on iraniantorrents.com. Quality is ~~~ but it's better than nothing


 No.121

File: 1442823849786.png (196.01 KB, 704x400, 44:25, leila.1996.dvdrip.x264.aac….png)

>>74

>develop from a normal everyday situation into something that's a real downer and continually complex

Totally agree and probably the reason I loved About Elly so much. It hits hard and doesn't let up, whereas The Past was more of a slow burn alternative.

>That's an interesting way to look at that

I tried to write a review when I finished watching it, but gave up. Might give it another shot. I saw her losing her chador as symbolism for her losing some of her innocence and being unwillingly brought into the adult/married world.

>>90

>A Separation and About Elly are both, in my opinion, modern masterpieces

I think I rated About Elly way to low, tbh. I'll have to bump it up when I rewatch it.

>I feel like he took this a bit too far in The Past

Definitely killed it for me. It comes off so natural in his other films.

>I've got a rip of Dancing in the Dust that I might watch tonight

Let us know how you go here. I'm not sure if I have you added or not.

>>91

>>92

>mfw no ptp invites to give out


 No.211

File: 1443498512351.png (136.97 KB, 380x423, 380:423, mia.png)

>>63

i like how romantic his movies are


 No.212

File: 1443508437962.jpg (53.77 KB, 390x594, 65:99, golshifteh 2.jpg)

>>211

Farhadi should make a Von Trier/Noe style 3 hour erotic art film tbh


 No.213

>>212

With Leila, Alidoosti, and Golshifteh?


 No.214

File: 1443527523312.jpg (45.03 KB, 650x365, 130:73, concerned black man.jpg)

>>213

>ywn see a Farhadi joint chronicling an illicit affair between two Iranian women, played by Faharani and Alidoosti


 No.215

File: 1443532028599.png (452.54 KB, 696x416, 87:52, Shah-re.Ziba.2004.DVDRip.x….png)

>>214

Don't be lewd.


 No.216

File: 1443532163062.png (462.38 KB, 696x416, 87:52, Shah-re.Ziba.2004.DVDRip.x….png)

Also, dubs names my Farhadi ranked list.


 No.219

File: 1443532404873.png (512.19 KB, 696x416, 87:52, Shah-re.Ziba.2004.DVDRip.x….png)

>inb4 where'd you get beautiful city




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