/metal/ - Metal

/pol/ makes a grindcore album

>>1349
>1349
Nice post number, m80

And yeah, I love VJ. Seth Putnam has a great sense of humor.

As for serious music, Absurd kicks ass
http://www.youtube.com/watch?v=5R3XkHXEJn0

>>1364
Absurd's great. I know some old schoolers despise later Absurd because the founding members no longer play, but the re-recordings on Der fünfzehnjährige Krieg do justice to the rawer, shoddily recorded predecessors.

No idea if these guys are genuinely racist (they have a song called "White Power" and are named after Segregationist governor Lester Garfield Maddox), but these guys are also worth your while.

>>1419
They're okay, but I personally like my NSBM a little weirder.

Spear of Longinus is great. "TYONS" is the NS's answer to "Drawing Down the Moon".

>>1518
And here's a song where the lyrics are taken verbatim from Julius Streicher's piece "The Death Blow".

>>1349
And here's Mudoven, Jim Crow's solo project. Palpably influenced by Cro-Mags, Mudoven's music gears more towards crossover thrash than VxJx's grindcore.

>>1519
This is pretty fuckin awesome

Stigger's Metal band.

A glorious crossover of Thrash Metal and skinhead Oi!

Falangist Metal

14 words, mein bruder!

No Alibi recommended.

If you like Type O Negative, you'll love this.

Golden Dawn Thrash

And what thread like this would be complete without Arghoslent?

Not only one of the funniest NS bands, but also one of the funniest Black Metal bands.

Slave Whipping Black Metal.

Mandatory listening.

One of the single best NSBM projects.

Bumping in support of Metalgate.

The whole album's great.

Even though they were a parody, White Pride were great.
https://www.youtube.com/watch?v=DDVvSnO31Uw

Not RoC but still anti-liberal

Not RAC or NS, but anti modernist thinking, so anti-liberal:

This is write in the CD folder:

"Since IMMORTALITY WAS LOST men have been bred for one divine goal: worship the gods

To secure that, men should CRUSH all kind of ATHEISM

Should RETURN TO the beginning of their days when CRUELTY was the only way to seize the meaning of life; should look back to the untamed beasts' behaviour which doesn't allow error

Now in times when the hidden oppressors (watchers of the order) try to make us a slave of earthly nonsense men shall remember the FIRE WORSHIP; the ancestral choice to defy and attack the establishment, should burn everything to ashes, turn everything black as it was in the beginning…

So let's start fighting weakness within and then celebrate the FUNERAL OF MERCY

…one day the winds of MAYHEM will be upon us and we will need to become butchers WITHOUT MERCY

Be warned"

>>3072
That looks like the art on a gameboy game box.

Prior to the shared dominance of Neofolk, Martial Industrial and Folk Metal within the far-right music scene, evocative and melodically harmonious music rarely manifested in the form of old school Rock Against Communism. RAC, lyrically and musically, wore its primitive, thuggish image on its sleeve proudly; even the ballads of Ian Stuart and his contemporaries channel their working class frustration with a gruff timbre. Kontingent’s Générations futures proves to be an outstanding exception. Graduating from primordial Oi! origins, their sophomore’s minor key riffs played in unison with acoustics and quality Hard Rock a la The Cult all culminate in producing France’s finest RAC album. Only one of two records released on Rebelles Européens’s ill-fated imprint White Metal Records, Générations futures saw Kontingent’s last studio release before breaking up some time afterward, remembered by true believers and weirdoes like me.

A cleaner production marks the first improvement on the album. Although a bit thin, the music here is much more listenable than on the predecessors; much better precision and songwriting, too. The tracks run decent lengths which never outstay their welcome, and the enjoyable soloing breaks up the monotony as well as highlight the guitarist’s flourishes. Also underscoring the music is Laurent Malley’s performance on vocals. Abandoning the croaky grunts, he sings with a soothing timbre with some stumbling over sour notes. He’s no Bruce Dickinson, but he conveys the albums themes with conviction that's worthier than the vast majority of his contemporaries, including the goat-voiced Saga. His singing certainly redeems his other role on bass; serviceable, but completely pedestrian.

Civil war and revolution recur as themes alongside historical reflections and, of course, sardonic, baldfaced bigotry. I don’t possess even a working knowledge of French, but if modern translators are of any help, the lyrics seem contemplative, even upbeat and hopeful. The album's topics, covering historical and then-current events, serve as effective vehicles for the band's message which consequently imbue the songs with identifiable personas. Afrikaner stands as a heartfelt tribute to the Boer and Afrikaner Nationalism. Other songs like Le sexe t’habite and Différences underscore the band’s respective indictment of homosexuals and non-whites; unforgiving as they are mean-spirited.

As with the production, the guitars highlight the album’s songwriting. Brooding minor key riffs comprise the entire album’s length. The guitar tone is thick, heavy and a bit fuzzy, but not overbearingly so. The album’s Hard Rock reminisces of The Cult, but Victoire channels NWOBHM-inspired Heavy Metal with unhindered prowess. Also adding to the album’s aesthete are acoustic guitars played in unison with the riffage on two separate occasions. You'd assume the two would clash with each other for dominance in the mix, but they mesh together in a balanced, evocative harmony.

I never expected the same band which produced shoddy predecessors like 1789 and Au service de nos ancêtres to leapfrog on their final studio release. I even questioned whether these two were the same band, but the rear pressing of this release and some shoddy live performances of these songs confirmed it. Whether or not your personal views diametrically oppose band’s message, the album is just a joy to listen to. A shame this would be their final studio release.

Highlights: Générations futures, Le sexe t’habite, Afrikaner, Victoire, Rebelles, Croix en flammes, Différences