>>1327
>>1328
The technical quality on these is absolute garbage. Can you export them at a better setting? Nobody can use a 1001px image anyways, so there's no point in them looking like shit.
The first image from >>1327 is obvious that you're imitating that picture that was sold for shitloads of money a long while ago. I have nothing to say about the others. Don't really care about them in any way whatsoever.
>>1328
All of your images have shit lighting, anon. Don't shoot when clouds are over the sun unless you want drab images. The only images of note are the last two: pony is hung as fuck, and swan could have been neat without the tree reflections and if it were centered. And if the light weren't shit.
>>1329
This film/development is fucking awful, anon. Horrible. Only use this for extremely dramatic portraits from now on.
First image could have, perhaps, been of some worth if it didn't get recorded on potato film from 1920. Focus may or may not have been missed, but I can't tell because the film has such a low contrast. Probably needed a stopped aperture. Second one is I dunno. Third is a neat composition. Junk light. The biggest issue with this image is the- I cannot stress this enough, how truly awful this film is. It ruined this image. For this image you really needed a huge dynamic range with lots of contrast in a sharp image. The fourth one is good, I think. Maybe a bad focal length for the feeling I'm getting from it. Could have been done better with a long lens. This is the only one that benefits from the ancient looking film. It looks straight out of 1930 except for the modern cars and roads.
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