>“I can see the painting,” Gittoes wrote in his diary. He imagined Assange surrounded by images of himself on television screens. “It will have a mystical quality with the screens seeming both like ghosts and a personal nightmare.” For several days, he lugged the canvases across London—to the Frontline Club, where he painted in a private dining salon until he was asked to pack up, and then to a studio on the city’s outskirts. Eventually, he lugged them to the Embassy, to paint Assange’s eyes from life.
>“Wow,” Assange said, pointing to the half of the diptych featuring the many versions of himself. Each was painted to represent a different emotion. “The angry Julian looks a bit like terrified Julian. I don’t know if it could be made to look less frightened.”
>“I was kind of in a state of shock when I saw you,” Gittoes said. “You’ve got a much deeper face right now. You’ve changed a bit because you are under so much pressure—the furrows.”
>“I don’t mind looking old,” Assange said. “That’s not where my value is. My value is looking tough.”
>“You want to look tough?” Gittoes asked. He set up tins of acrylic on newspapers, while Rose went to get takeout from a local chef who wanted to support Assange by making them all crab linguine. When she returned, she asked if she could film Gittoes painting Assange for a documentary about the project which was in development. “I’d like to have a moment where you say to George, ‘Oh, that’s a great painting,’ ” she said. “And George just says—”
>“I would never aspire to have a great painting,” Assange said. “That’s vain.”
>“O.K.,” Rose said, and suggested that the two men merely greet each other.
>“It can’t be public,” Assange said, his tone sharpening. “There cannot be an image of Julian Assange looking at himself in a painting. That’s madness—absolute madness. That image is much worse for me than the painting is positive. Understand?” After much discussion, someone suggested that the two men be photographed together, with the canvas turned toward a wall, and Assange assented. “I think it’s not too bad,” he said. “And it’s O.K. that my character is broader a bit, as someone who appreciates art.”
>“I’m going to get some forks for the linguine,” Rose said.
While everyone ate pasta from Styrofoam containers, Assange explained the mechanics of his diet. Usually, someone he trusts brings him food. “It has to be brought in discreetly,” he said. “If it is all from the same place, it is a security risk.” He rolled some linguine around his fork. “I don’t want to sound paranoid. The Embassy has security staff, and they have concluded that it is too dangerous.” The worry is not that he will be fatally poisoned, he said; it is that he will become ill enough to require a trip to the hospital and thus lose his asylum status. He ate his forkful, and added, “It’s the best linguine in Ecuador in London.”
End of Part I