No.1125
I posted him in a previous thread, including a documentary about how he started making his budget-quality 'action packed movies'.
And for negroid music, it's not bad. Usually Black music from Africa is a lot more simplistic than even the degenerative, creolized, hip-hop garage-boombox-tape-recorded garbage from the Black communities (who are part-White anyway) in Britain and America.
This song seems to be about the lamenting of a young to-be husband over his girlfriend's infidelity prior to betrothal of engagement, judging as well as I can (not very) from body language alone.
He has 2 other songs which are not overly thematically different.
Anyway, I hope this demonstrates my point about Cohen's theory being a better fit for races than it is for genders. We can see from negroid behaviour, it's very emotional, very subjective, and very concerned with relations rather than things.
No.1126
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this is the kind of nig music I'm into
No.1127
>>1126>Judeonegroidic RnB-precursor honky-tonk spiritual garbageYou know how to pick 'em.
No.1129
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I quite like Screamin' Jay Hawkins.
Maybe it's because I'm taken with the thematic elements of witchcraft and voodoo present in his lyrics, and I also find the organic and sincere nature of his hooting, babbling, snorting pretty intriguing (why's he doing that? Where does it come from?)
No.1130
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Speaking of Negroid music, I highly enjoy the band Exuma.
Exuma is a 7-person band led by Tony McKay, a Bahamian musician who died a month prior to my birth (;_;). Their music was so inspiring and unique that it led to the creation of an obscure genre known as Freak Folk.
(I also know every single word to their first album, Exuma)
No.1131
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>>1130actually sounds pretty good
No.1246
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No.1266
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No.1405
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>>1131Funkadelic's pretty damn good.
I listen to Maggotbrain a lot when I get particularly mopey.