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 No.815

…but this is a great song, it's quintessentially Korea.

 No.816

lucky, I almost only get songs I hate stuck in my head

 No.817

YouTube embed. Click thumbnail to play.
though I really like this song and it often gets stuck in my head
>tfw will never make musical instruments with people's bones, tendons, etc

 No.819

>>815
since the other thread was getting a bit full as i kept on throwing the discussion off on tangents, the thought occurred to me.
This is the amalgamation of traditional korean music with more poppy modern electronic arrangement.
Along similar lines, what do you think of attempts to do that in a European context?

I'm partial to a bit of Eluveitie. I think the way they seamlessly combine melodic death metal with folk, and an unquenchable thirst for pursuing a historic narrative in their works is brilliant.

https://www.youtube.com/watch?v=MpS16zVpLpE

Also,
https://www.youtube.com/watch?v=4B6S2-qa5UM

I'm going to let you in on something. For my 21st birthday, I got on a waiting list for a hurdy gurdy… I just love them. Well, some of them anyway. Not a fan of vielle a roue, a bit ehh about drehleier, my favourite are lira korbowa, so the guy I contacted is actually Polish.
Since I got on the waiting list, he's completely upgraded his range and the more simple dziadowska beggar's lyre I put down for has given way to the much fancier gitarowa.
I hope he can make mine as plain as possible and not bump the quote up too much… check it.
https://www.youtube.com/watch?v=FlJxOPxPqPM
The one in this vid has all the bells and whistles, mine would be simpler.

Although probably a tad more refined than the one this Russian guy has been playing for years.
https://www.youtube.com/watch?v=qwANcGr5h98

He's recently upgraded to one of the fanciest made by one of the most upmarket hurdy gurdy craftsmen out there - Weichselbaumer.
https://www.youtube.com/watch?v=rN87Y-1Vz5g
http://www.weichselbaumer.cc/

 No.820

>>819
That Russian guy also touches on Bulgarian music in that last video.

I've got to admit, I'm partial to a bit of Bulgarian music. And yes, I know it's got a lot of Mohammedan influence, but I don't mind. It works. (Just watch out, some of the murican groups that sing Bulgarian folk also dabble in Yid music).
https://www.youtube.com/watch?v=Ws32ww3ddzs
And then there's the kaba gaida. Nothing like a bit of bagpipes to stir the soul.
https://www.youtube.com/watch?v=elOkNCu9Zbs
https://www.youtube.com/watch?v=2Kli_4cXEi4

Also I know when people approach musical fusion without proper awareness of or respect for tradition (as often happens with world music and Jazz wankers nowadays) it can be a disaster. But the story behind the collaboration between Huun Huur Tu and Angelite, orchestrated by the Moscow Art Trio (yeah, sounds a bit dodge) is one where the latter did practice care in not merely exploiting the "sounds" of either group and gave them space to meld appropriately.
https://www.youtube.com/watch?v=Nas6k_V1zZM

 No.821

Someone just called my wall of text (attempting to explain why white preservation in the face of mass immigration is important) in a youtube flame war "profound".
The tides are turning lads.
The days are numbered on the putting down and smearing of anyone who disagrees with them by liberals.

 No.822

>>819
Too many Celtic overtones

As for instruments, I've never really spent more than 30 minutes attempting to play one, knowing that my co-ordination is too inferior even if my ability to recall notation is better than average.
I'd sing if it wasn't for my spergy voice.

>>820
>more Celtic overtones


Let me try to identify and articulate clearly my contentions with Celtic music. It has overlap with Jewish music in that, like it, it's too whiny and hyperfeminine at certain note phrases and combinations. It lacks the wistful maudlinity of Eastern (and East Aryan) music. Though I guess if one is to emulate this racially degenerative tendency, one is better than merely to process it through their eyes (such as, and as you pointed out, Jews had done with the nigger genres of Jazz, soul, and later early rock).

 No.823

>>819
Too many Celtic overtones

As for instruments, I've never really spent more than 30 minutes attempting to play one, knowing that my co-ordination is too inferior even if my ability to recall notation is better than average.
I'd sing if it wasn't for my spergy voice.

>>820
>more Celtic overtones


Let me try to identify and articulate clearly my contentions with Celtic music. It has overlap with Jewish music in that, like it, it's too whiny and hyperfeminine at certain note phrases and combinations. It lacks the wistful maudlinity of Eastern (and East Aryan) music. Though I guess if one is to emulate this racially degenerative tendency, one is better than merely to process it through their eyes (such as, and as you pointed out, Jews had done with the nigger genres of Jazz, soul, and later early rock).

 No.824

>>822
I find it odd that you would associate celtic music with jewish music, even odder that you'd see more similarities between the two of them than you would between jewish and eastern music.
to my ears, jewish music has a lot more in common with eastern european and middle eastern music, especially as far as scales, notation and rhythm are concerned.
you know, play arabic music to a polka beat, throw in a bit of "kavanah" ("music is heresy to make it sound as shit as possible"*) and presto, hava nagila.

*referring to this vid
https://www.youtube.com/watch?v=f1RCqPNjvgY

anyway, fwiw i can't sing either.

 No.835

>>824
Then it is those influences that Jews have stolen which is the reason for similarities between semitic and boreal music, but as for indigenous Ashkenazi music, it's inherently garrish, irregular, and frankly borders on the deranged.

 No.836

YouTube embed. Click thumbnail to play.
>>835
well shit, no wonder I like metal

 No.837

>>835
there's no such thing as indigenous Ashkenazi music.
The Ashkenazim are the Eastern European Jews. They're not indigenous to Eastern Europe, nor do I suppose they're representative of biblical Israelites.
As for their music, it is exactly them who stole influences from gentile Eastern European music.

The traditional religious music of both the Sephardim and Ashkenazim sounds overwhelmingly Middle Eastern - they even use maqam modes.

The truly deranged music would seem to be that of Hassidic Jews, which manages to sound simplistic, ambiguous in origin and completely nuts all at the same time.
(Although the aforementioned influences sometimes creep through, what's evident in my listening is that of all Jewish music, that of Hassidic Jews strikes me as having the most Jazz-like tendencies).

The only passing similarity between Klezmer and some Celtic music is the shared use of a few instruments - it still sounds very much Central/Eastern European stylistically.

Mizrahi again reinforces the similarities with Middle Eastern music as well as Mediterranean.

I fear your unquenchable hatred of the Irish is clouding your ear for music.
I've gone through the entire wiki page for Jewish music looking up every style of theirs to give a hard listen, and the biggest surprise is to what extent their traditional music sounds Middle Eastern.

Also try this communist-bloc style music out for size. It sounds stylistically far closer to your DPRK groups than it does to Celtic music.
https://www.youtube.com/watch?v=_rJQ6hsEpnw

The Jews borrow musical influences from those they live near. They've had far more of a presence in Eastern Europe and the Middle East, so where they allegedly stole strands from "boreal" music as you suppose, I don't know.

 No.838

>>836
Samson you must be having a laugh at the couple of mud-blood goyim arguing over whose musical taste is least Jewish.

 No.839

>>836
Also, your taste in metal isn't that deranged.

This is what your kinsmen do when they get hold of the genre.

https://www.youtube.com/watch?v=FpmzQG2RQOs

 No.840

YouTube embed. Click thumbnail to play.
>>839
>experimental
>three hipsters living in Brooklyn
they're not metal

 No.841

>>839
Sounds strangely Mongoloid at parts. I can actually listen to this!

 No.842

>>841
just because they have "Genghis" in their name doesn't mean they're Mongoloid music.
okay I've listened to the part you're referring to and admittedly i kind of get what you're on about, but still… falls short of actual Mongoloid music IMO

At the end of the day, I'll say two things:

1) Being quarter Asian yourself, you seem to have taken Asian music as your baseline for ehh… let's say, musical exploration. Whereas I'm more grounded from a Western standpoint, even if I do reach out and listen to the music of other cultures.

2) We have our own areas of specialty. Through years of trawling the internet for reading material, your understanding of how physiology and psychology interconnect far surpasses my own - even now I am still learning about my own condition and hadn't realised, for example, a lot of the physiological implications of being on the autistic spectrum, which when explained both by yourself and this brilliant support worker I meet up with on a weekly basis, the pieces suddenly fall into place and it gradually makes more and more sense.

However, I was raised on (Western) Classical music. Everything from the Three Tenors to Vivaldi, Beethoven, Tchaikovsky, Grieg… my mum tried to get me into Mozart but ehh.
I remember watching a VHS copy of Pavarotti's Distant Harmony as a kid. A documentary on his visit to China, a meeting of cultures, and exploration of their respective musical traditions. It fascinated me. Not only did we already have CDs, but I began actively seeking out world music. Not bastardised Jazz fusion, but as genuine as it could get. Every new sound drew my attention.
If you've read Perfume: The Story of a Murderer, or even seen the film (I've only seen the film), it does a good job of conveying how it's protagonist reveled in every new smell, however repugnant. So it was with me. That's why I even gave time to try and listen to Gamelan, even if the novelty fairly quickly wore off and I'd failed to understand it.
I got formal training In the Cello (passed 3 graded exams, 2 with distinction, 1 with merit), dropped that because I was bored of it. Played the Trombone for a while in primary. Wasn't amazing at it. Played Tuba in secondary. I had ended up playing that because literally nobody else wanted to play it, so they were offering a bursary to get enough of us in to perform in the band so it was cheap as fuck. It was actually pretty fun, and my teacher wanted me to go straight into attempting grade 4. But I was pissed off with continually playing classical instruments, so I dropped that too.
By that point I had already picked up the didge, had learnt circular breathing and was alright. I'd have loved to continue, but later on having had my braces removed, trying to practice the authentic method stumped me.
In the meantime I had picked up the electric guitar. I wasn't amazing at it, but that was a lot down to the fact that I had an absolutely SHIT secondhand amp at home to practice on that hummed and fed back and amplified every clanging mistake I made for the whole house to hear, so I hated practicing it and eventually gave up (although I later became fascinated with electric guitar design to the most minute detail, the passive electronic wiring, the neck construction, all of that shit).
I picked up an open back banjo and attempted to learn clawhammer. It was going quite well until I got to the chapter in the method book on drop thumbing. Time and again I'd pick it up for a couple of weeks and try and get past that block to no avail.
My mum's always considered me musically gifted - it runs in the family. What separates me from my brother, who was an accomplished classical guitar player, is that he diligently practiced day in day out regardless of how shit the tunes he practiced sounded. Being the complete sperg I am, I'd get frustrated, get all hissy and effectively say "FUCK IT, there's an entire world of other music out there that practicing this damned instrument is keeping me from. I'm not getting the returns my perfectionist mindset demands, ONWARDS!".
You know, I hope I can get adequately good at the hurdy gurdy. I think I've got to the point where I have no other prospective instruments on my list… apart from bagpipes, of which I'm well aware are a more challenging instrument to play.
Regardless of how I've always fallen short on the actual practice of music, I have a keen ear for it. I don't think it'd be much of a stretch to say that I do so to a higher extent than yourself.

 No.843

>>841
Holy shit, sorry for writing so much. I got carried away.

Also, in regards to referring to Perfume, I said "So it was with me". What I intended to say was "So it is with me in regards to sound".

Yeah, sound. Not just music either. One of my autistic tendencies is to flick and tap on various objects to see what they sound like. The one skill I took from French GCSE lessons is the ability to make a "plink" sound akin to a dripping tap by flicking my cheek.
http://vocaroo.com/i/s1Io4GYQN6JY

Another thing I forgot to mention was that during the period that I found myself practicing brass instruments, a core reason for me quitting them was that I was pissed that I had never got the opportunity to get into any form of percussion.

Are there any MQ/RQ tests, as per our discussion in the other thread, for individuals out there?

 No.855

>>843
I don't know of any self-administerable variants of either the rythm or musical quotient tests of the Seashore scales. I don't even know if there exist that many proctors who even test it whether formally or informally, and whatever the cost is, due to this low supply of proctors, I could only imagine it to be skyrocketingly prohibitively expensive.

I can give you what I know about the MQ/RQ profiles of autistics (mostly Europids tested in the sample, it was sadly not entirely controlled for race), by Grandin.

Like Mongoloids, MQ > RQ.
RQ in all tests and replicants conducted were in the region of 95 - 100, slightly short of White neurotypicals.
MQ was 107, but with a highly uneven profile across the board, intensity (85) being far worse than pitch (the highest score at something like 120) and note-recall slightly lagging (97).

Susan Boyle is a good case-in-point. She has near perfect pitch, there's no question about that. But she sings like a loud, annoying foghorn (intensity deficiency) and forgets the songs she's trying to sing frequently. That she has Asperger's doesn't surprise me.

This is par for the course with that sort of profile.

 No.858

https://www.youtube.com/watch?v=LSI_fqIGajs&list=PLMUTY9LFJ0Yd_PeAnvG21vYJqHLkN-RsL&index=1

Here is also another example of what happens when you let spergs sing. This is the 'Good Special', a South Korean folk song show, and they're singing Ballad of Yiyahong.

The intensity-pitch/notation gap is not nearly as bad, but it's still a fairly awkward mismatch.

 No.860

>>855
That makes sense.

In searching for music quotient tests, I instead found guardian published tests for Cohen's Empathy and Systemizing quotients.

http://www.theguardian.com/life/table/0,,937441,00.html

I scored 55 which places me at the lower end of the highest bracket.

http://www.theguardian.com/life/table/0,,937442,00.html

I scored 20. Just above midway in lowest bracket.

According to this
http://www.theguardian.com/life/feature/image/0,13030,938137,00.html

That makes me an "Extreme Type S" or "extreme male brain"

"The extreme male brain (bottom right of the graph) may be a manifestation of autism."

What I want to know, as you are a critic of Cohen, is how this relates to your revision of his Quotients, and whether you have devised your own way or have borrowed someone else's way for discerning between Affective and Cognitive empathy.
It's apparent that Cohen's test does not accommodate any such metric and in missing this variable out leaves his quotient susceptible to biasing one form of empathy over the other.

 No.861

>>860
here's the interesting thing with the terminology used in describing the brackets of his EQ.

"You have a lower than average ability for understanding how other people feel and responding appropriately."

While I may not be able to pick up cues in the form of subtle body language or subtle tone of voice, and am shockingly shit at deciphering what someone means when they say one thing and mean the other, when they translate their thoughts into honest, open, straightforward words and language that I can understand, I can actually put myself in their shoes. I can understand where they are coming from.
As for "responding appropriately", if my response is deemed "inappropriate", it is often because in putting myself in their shoes with what information they have given me, I have spotted a hole in their logic or a complete lack of rational thought all-together. In fact, I am most blunt with those who I feel lack empathy themselves and deem them to be acting unreasonable in their refusal to even attempt to see the situation from my standpoint or put any weight or value on my own experiences or those in my situation, ie hypocritical SJWs, my young sister, or my mother.
My mum is actually a really nice, caring and understanding person most of the time, but she insists that I cannot judge her for her part in my parents' break-up despite knowing how negatively it affected me. She says I cannot judge her when I have never been in a relationship and have no idea what it's like, and therein lies the problem.
a) She forgets that I had to witness and live through the break up too.
b) I have seen my fair share of acrimonious marriage break-ups. That of my parents. That of my mum and step-dad. That of a former co-worker with his (now ex-)wife. That of the man who bought my mum's house off her through his business partner as his wife had ran off with a junkie and still expected an equal division of their assets upon divorce. I have witnessed all this, yet because I've not lived it first hand my mum places no weight on my ability to intuit the factors in and reasons for these break-ups.

The more I talk through this, the more I realise your model for empathy quotients makes perfect sense.

 No.862

>>861
Coincidentally, there were striking parallels between the break-up of the aforementioned former co-worker and his wife, and the break-up of a good friend of mine with his long-term girlfriend.

Both my co-worker and my friend despite being males and therefore by Cohen's logic less able to empathise, were able to read into the odd behaviour of their partners. The moodiness, the quietness, their indirect nature in not wanting to address the very problem they - and they alone - had introduced to their respective relationships.
The guys could tell something was up despite a complete lack of direct communication, and a similar situation panned out in both cases. First the trying to probe for a scrap of an explanation as to why otherwise fine relationships had suddenly soured. "What's wrong?" "I can tell something's up." Still nothing.
"It's not working, is it?" "Do you want to break up?"
And only having read into the situations to this extent did the women finally open up.
Initially by crying.
Seeing as they weren't married, I don't think my friend's split was as bad. But having fallen back on her parents, the wife of my co-worker quickly pulled herself together and set about fucking the poor guy's life up the best she could, from stealing his dog, to trying to screw him out of as much property as possible, to trying to pull strings with club bouncers to not allow him in.
The latter didn't actually work out as rather than using puppy-dog eyes and a pair of knockers to get his own way as she did, he was actually friends with and on genuine good terms with the bouncer/s in question.

 No.863

>>855
>I don't know of any self-administerable variants of either the rythm or musical quotient tests of the Seashore scales. I don't even know if there exist that many proctors who even test it whether formally or informally, and whatever the cost is, due to this low supply of proctors, I could only imagine it to be skyrocketingly prohibitively expensive.

You're not going to believe this… there is actually a test out there.
It's a bit long (30 mins apparently).
Let me complete it first, I'll start a new thread up and let's all do it to see how we compare.
It tests for the following:
Melody
Tuning
Speed
Rhythm

I've done the 3 minute demo and scored full marks in all but Tuning.

I know I'm not pitch perfect. But I can pick up dissonance very quickly.
My problem with the demo questions was that it compared dissonant chord to dissonant chord, which I found completely jarring.

 No.864

>>863
Hold on, you can take the demo but need a participant ID for the full test.
It's available in English and German, it seems to be created through a partnership between the Universities of York and Innsbruck.
I'll see if I can figure out whether we'd be able to acquire participant IDs.
In the meantime:

http://www.uibk.ac.at/psychologie/forschung/tests_and_diagnostics/proms/

It turns out the 30 min one is a "brief PROMS", not the full PROMS which is 60 min.

You can take the demo in the meantime.

 No.865

>>864
Holy shit. the full PROMS tests 9 metrics

"Melody, Rhythm, Rhythm-to-Melody, Tuning, Accent, Instruments, Tempo, Pitch, Loudness"

:O

Fuck I want to do this.

 No.866

>>865
AHA guys I think you don't need to be assigned a participant ID, just make a nickname up.

http://www.uibk.ac.at/psychologie/forschung/tests_and_diagnostics/proms/take-the-test/full-proms.html

Let's do this.

 No.867

>>866
My god this is long. I've only just completed the initial survey and am on to sound calibration.

 No.868

>>860
Cohen's a Jew, meaning he's a feminist, meaning he has every motivation to deliberately obfuscate the distinction between cognitive and affective empathy, for to admit that men have strengths in feeling (which Cohen's critics discovered) and women have strenths in social-strategization, would mean to portray women as the heartless psychopaths they are.

 No.869

>>868
>Cohen's a Jew
Nooooo, you don't say. With a name like that?

 No.870

>>860
My scores are 33 for EQ and 40 for systematization, meaning I'm not an extreme type S, just a normal type S. No surprise there. Most of my social dysfunction comes from avoidance which is expressedly not autistic for they tend to be insufferable extroverts.

 No.871

>>870
Fair do's. Anyway, you're distracting me from my PROMS test.
I'm still only on the Melody section, the first of 9, because I keep on getting distracted.
Most of these are piss easy.
One or two have been curve-balls, I answered "don't know" to one so I already know I don't have full marks, but I'm confident i'll still be pretty high.

Please, I know it's really long but do the PROMS as well so we can compare scores.

 No.872

>>871
aww man, completed the melody block and it withholds your results for each block until the very end.
hmph.

 No.873

>>861
Of course my model makes sense. Womanly-minds, whether it be your mother or Jason Scott, are idealistically-retarded and therefore, experinetially-dependent. (Real) men are the converse. Experience means nothing to us and we give it no weight. It's why anecdotal accounts are laughed at in the hard sciences. The same way I wish I could laugh at Jason's face, the day I manage to ankle lock him and thrust a powerdrill piece through his nose until, upon my demands, he squeals like a nigger!

In any case, the reason they discount these experiences is simple: they can't feel for your side of the experience, because they're incapable of sympathizing. They might well be able to strategize against your motivations better, but this is a predatorial rather than an empathic trait. It is how leftists are able to project their lack of empathy onto you and simply blame you for not pandering to the weaknesses of those groups they condescend in their 'defense'. That's why the Jasons of the world deserve powerdrills thrust through their noses.

 No.874

>>873
I forgot to add; relating to other's sentiments in a shared experience is an idealistically-demanding skill, which isn't terribly dependent on the retarded process of experiential appeals at all.

 No.875

>>871
Not to be inconsiderate, but I've an assessment upcoming and need to study It's bad enough that I've wasted time here when I need to get back to reading.

 No.876

>>872
(sorry for the running commentary)
nice one, i have a feeling i absolutely bossed the rhythm block.
next one is a compound, it's rhythm-melody.
ahh this one's going to be difficult.

>>873
I wouldn't say experience means nothing to me. I'm just saying, most people place far too much weight on it whilst paradoxically claiming to be more empathetic, when the entire point of empathy is to understand a person's thoughts without first-hand experience.

And yes, in the hard sciences anecdotal evidence is useless, but I don't outright dismiss it for 2 reasons:
1) it's fun
2) if you collate enough of it from a large enough study group, subjective accounts can supplement other data.

>That's why the Jasons of the world deserve powerdrills thrust through their noses.

remember the guy that did that on Britain's Got (sic) Talent?

 No.877

>>876
actually, the rhythm-melody block isn't as bad as i thought it was going to be. i thought it was going to simultaneously compare rhythm and melody, it doesn't. it's still a comparison of rhythm with the reference sound being dry and with no melody, and the comparative sound containing a melody, but the sole purpose is still to discern rhythm only.

 No.878

>>876
Your use of
>(sic)
not precisely correct.

Deparse it:

'Britain Has Got Talent'

It is gramatically correct.

I understand qualitative study methodologies but I think they should be the reserve of social science nonetheless. The femalewhores who want to pretend they're scientists can keep that thing to themselves.

To think, 2 years ago I was doing a HNC in Social Science; I'm glad the court case ensuing from insulting the class negroid and feminist, banned me from that college. I wouldn't have made a good Rushton.

Anyway, I don't watch prole television.

Our version of empathy is based on being able to abstract affect from our intuiting those states from others, which is distinct from the neurotypical empathy, which is like a mental chess-board if anything. Autistic empathic superiority is demonstrated in the latter's greater acuity in vague situations.

 No.879

>>878
(sic) isn't limited to accounting for solely grammatical errors. It can also be used to point out that the statement in question is erroneous on some other counts, eg
"rabbits are a species of fish (sic)".

I should have placed (sic) after the word "Talent" seeing as this was the point I was disputing.

 No.880

>>878
>To think, 2 years ago I was doing a HNC in Social Science; I'm glad the court case ensuing from insulting the class negroid and feminist, banned me from that college. I wouldn't have made a good Rushton.

Oh my giddy aunt, would've loved to see that pan out.

 No.881

>>877
(back to running commentary)
i feel i bossed the rhythm-melody block too.

Autphag, what was that you were saying about MQ>RQ for autists and asians, whereas africans have a far higher RQ or something?
I dunno…
I haven't tested for any african…

 No.882

>>881
fuck sake, Tuning… gahhh, if this is anything like the demo this will be my achilles heel. I wish I were pitch perfect and could listen to dissonant music/sounds more objectively.

 No.883

YouTube embed. Click thumbnail to play.
let's get this thread back on track people

 No.884

>>883
I apologise for sidetracking the discussion into Cohen's EQ, but the PROMS is not off topic IMO.
Come on Samson, do the PROMS too, the more the merrier.
I want people to compare my results to.
This is relevant to our discussion on what music sounds Jewish or not, insofar that whoever scores higher can be deemed to have better judgement.

Because the dispute was between Autphag and myself, his results should he do it are primarily of interest to me, but your, Ginger, anyone else who props up here, join in.

 No.885

YouTube embed. Click thumbnail to play.
>>884
my grammar was terrible in that paragraph.
apologies.
Have some pleb music.

 No.887

>>885
No worse than my chink-tier word salad usually is despite English being first language.

Autistic IQ has weak-verbal, strong-VS profile much like mongoloids. Your raw concepts are impressive and understandable.

>>881
MQ>RQ for both autistic and Asians.
Autistic MQ profile is more disjointed than Asian one, which is more uniform, across the three functional sub-tests.
RQ>MQ for Blacks.
RQ=MQ for Europids.

 No.888

>>887
>Autistic MQ profile is more disjointed than Asian one, which is more uniform, across the three functional sub-tests.
>disjointed
Yeah I don't think my results could be used to racially profile me.

Currently on the "Accent" block, ie recognising pitch in rhythm.
Considering you're into this stuff
>>785
This should be right up your ally.

 No.889

>>888
I just realised a glaring error.
I didn't mean pitch in rhythm, i meant… loudness in rhythm. volume…

 No.891

File: 1423163462700.png (367.19 KB, 494x662, 247:331, 290325.png)

OK GUYS my PROMS results are in, please see this thread
>>890
(As of posting this, I haven't posted them just yet)
Anyone else partaking in the test, please post there.

 No.898

Sorry to sidetrack the discussion back into Cohen's EQ and the labeling of the masculine mind as a disease by proxy of autism.
I'm genuinely pissed off with the extent to which the media is publicising Putin's alleged Asperger's.
It's falls at nothing short of alienating those on the spectrum through guilt by association with a vilified international leader.
It drives me further towards questioning our media's position on, for example, his action in Eastern Ukraine. It makes me more receptive to seeing sense in the Russian ban on politicised homosexuality so criticised by the West.
I ought to learn Russian, learn Cyrillic and move.

This is my name. First name, masculine version of my maternal grandmother's middle name. Surname, maiden name of my maternal grandfather's maternal grandmother.

 No.901

>>898
honestly, Russia is sounding more attractive all the time. Cyrillic and their stance on cannabis still deter me though

 No.902

>>901
Yeah well you would be deterred by cyrillic, wouldn't you? Of all of the non-Latin alphabets out there, it's got to be one of the easiest to learn.
I have no real desire to learn Greek.
I wouldn't mind Persian/Perso-Arabic…
Sanskrit…
Devanagari…
Zhōngwén…
Hangul…
so many fascinating ways of writing.
Speaking of Hangul, you realise cannabis is technically completely legal in the DPRK?
Only problem is, they're literally smoking the flower off hemp.
Trust me, I've done that before, and it gets you about as high as a fart, so you'd have to bring your own seeds.
Outdoor strains too, considering their power grid is routinely switched off on a daily basis.

 No.904

>>902
Hangul should be the only script you need to know. Had our pedagogical masters any sense, they'd have eliminated Latin in its favour long ago. The non-existence of dyslexia among Koreans is no lie.

 No.905

>>902
Anyway in the DPRK it's Choseongul, pleb.

 No.919

>>898
Anyway, I can barely read Cyrillic.

Alexsandr something-something (only know some letters in surname)

 No.941

>>919
Correct. Well, a more accurate romanisation would be Aleksandr. The surname is Cheremisinov. That's the romanisation of the letters like-for-like. On the ahnentafels I have, it was romanised by the Germans as Tcheremissinov.
I can assume the 'T' is to ensure the 'ch' is pronounced as in 'bitch'rather than 'ich', and probably wouldn't have occurred had it been directly translated into English.
The additional 's' probably added to make sure the subsequent 'i' is pronounced as in "bitch" and not as in "beach". I didn't see why anyone would do this, but if you copypaste the name in Cyrillic into google translate Russian -> English, and click the sound button to hear it being spoken in English, they oddly pronounce it as such - "Cheremiseenov", which is just wrong.



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