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82fb73 No.14145373

I don't even know where to begin with this so I'll just start listing things off:

>Breath of the Wild

>Game solely focuses on exploration, with the entire game loop revolving around the tedious experience of finding and completing micro-dungeons for upgrades, in order to explore and find more shitty shrines for pointless upgrades (120 total)

>There is ultimately nothing worth exploring or finding in the game besides these shrines, and the upgrades aren't really necessary past a certain point as the combat system can be cheesed to hell and back by the poorly designed damage, equipment, and dodge mechanics.

>But there is one other thing you can find: Korok seeds. There are 900 of them, and they're scattered around the entire map, and most of the time require no effort to get besides simply noticing them.

>Throw a rock. Light a torch. Break a box. Put an apple in a bowl. Climb a building. Talk to someone. Press A on a glowing thing. Occasionally do a race which requires a modicum of skill. Trade an increasing amount of these things to an NPC to gain more inventory slots, making the already easy combat easier, which will only lead you to find more shrines or korok seeds.

I played BotW for 30 hours, and by the 10th I realized how empty and hollow the game was. Nothing was challenging (save like 10-15 of the shrines) unless you don't use armor during combat, even then it can be easily manipulated by the broken dodge system. The actual dungeons were meh, the boss design was garbage, and there is nothing to do in the game to get you away from the insane Sisyphean-task that is shrines and seeds. Here we can't even imagine Sisyphus being happy; I would rather push that boulder up the mountain repeatedly than stomach the monotony of this game.

<"10/10 nintendo does it again best game in years truly revolutionary break from the formula truly epic"

Everyone eats this shit up and it gets universal critical acclaim.

>Mario Odyssey

>Nintendo reskins BotW with Mario, except somehow making the BotW gameloop even worse for Odyssey

>The entire game revolves around "exploring" to solve these non-challenges to get Moons.

>There are about 800 of them, many just sit in the open or are given to you by NPCs

>That's it. You need 500 to beat the game, so get to it.

>Sit on a bench. Move a box. Light a torch. Do a race. Do it five more times. Kill a single enemy in an otherwise empty room. Throw your hat at innocuous objects. Grab rabbits. Grab birds. Ground-pound random spots on the map. Talk to toads. Talk to anyone. Get a moon. Kill the six lackluster bosses like 30 times over. The list goes on and on.

I couldn't believe it. They literally took the Korok Seeds from Breath of the Wild and made them the entire focus of the game. When you first start the game you get really hyped because Mario's movement feels so complete, and yet there are no platforming segments that take advantage of this. Transformations are nice, but they severely limit your moveset, so they become one-note pretty quick. It's a mediocre platforming game with almost no challenge, and a shitty exploration game with nothing to explore because everything leads to moons which only leads to more moons. And yet this game is shilled to hell and back and 10/10's fly abound. Just look at these scores for Odyssey, It's insane.

Nintendo has released these two incredibly similar games from their most beloved franchises, and the games are totally rotten to the core with gameloops that are so bad a fucking child should be able to see it. But very few people do, or they just don't care to admit it. How is this possible? Are so many people completely daft when it comes to recognizing good games that they're okay with shit like this? Is it marketing or some kind of mass-hysteria hype? How can a company famous for releasing new, inventive, and fun games release two "hit" games that are uninspired, hot garbage, with less depth than a a fucking kiddie pool?

Post last edited at

82fb73 No.14145386

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1a0da3 No.14145408

>I don't like collectathons

>why do I dislike this collectathon game

Is this a real thread?

You're acting as if you need to collect the whole 800 moons to actually finish the game. The 10 or so you need to progress to the next level actually offer platforming challenges on par as the other 3D marios do.

Do you not remember the side start in the previous titles? Those weren't fun. Collecting all the coins in a level wasn't fun. Exchanging blue coins for suns was never fun.

What the fuck are you on about nigga

1a0da3 No.14145431


>Do you not remember the side start

Do you not remember the side stars*


dfcdf5 No.14145460

I could swear we had the same thread last week.

842e96 No.14145464

File: 5f524d144472822⋯.png (54.54 KB, 218x304, 109:152, data.png)

tl;dr, but what little I did read were outright falsehoods. I'll leave you to your circlejerk.

7a06a5 No.14145470


>doesn't even post what the falsehoods were

t. Nintendrone

82fb73 No.14145484


>You're acting as if you need to collect the whole 800 moons to actually finish the game.

Might as well be 800, you need 500 for the endgame bonus content.

>Exchanging blue coins for suns was never fun.

Imagine playing sunshine, but every blue coin was a shine sprite that you could get through little to no effort because they're just sitting there out in the open. That's Odyssey.


Care to list a few? All the actions I listed that you can do to get moons are no falsehoods.

3e7c06 No.14145497

>Nintendo reskins BotW with Mario, except somehow making the BotW gameloop even worse for Odyssey

You know if you say stupid shit like this no one will take anything you say seriously, right? Even your relevant complaints.

392ebd No.14145527

Mario stopped being Mario when Nincuckdo stopped making him a plumber.

82fb73 No.14145529


>I’m too fucking retarded to see how BOTW and SMO are entirely different in concept

Both games come down to having garbage feedback loops. In BotW everything leads to a shrine, making any potential exploration ultimately tedium because I know I'm just going to get a few load screens, simple puzzles, and a shit upgrade that makes an easy game even more of a cakewalk.

It's even worse in Mario, because I can do almost nothing to get rewarded (ground pound a random spot, pick up a moon that's just sitting there). The controls are solid, but the whole game just feels like a vast playground of nothing punctuated by brief and small periods of when when one moon in a hundred turns out to be fun to collect.

1a0da3 No.14145530


>you need 500 for the endgame bonus content.

Seriously, have you played any Mario game?


120 stars with both characters


Collect all power stars and green stars

This isn't anything new. It's bonus content for people that just want to play more.

>Imagine playing sunshine, but every blue coin was a shine sprite that you could get through little to no effort because they're just sitting there out in the open. That's Odyssey.

Okay first of all that's a huge blanket statement. Not all secondary moons are just sitting there, a huge part of the secondary challenges are fun and interesting.

Secondly, if you don't want to collect the stupid moons, you can just buy the extra ones with coins you earn by playing well in the game. If you go out of your way to collect them and not dying.

And christ man if you don't want to play the game then don't collect them. I love how mario controls and the levels so any more time I spent with it was great, if that's not your cup of tea then you can just stop there.

0bc015 No.14145546


>>Nintendo reskins BotW with Mario

Yes, and it's like Dark Souls too. Can't you make your case without using poorly-made comparisons? In order to save this thread, here's this .txt:

Mario Odyssey is 3d Mario’s return to the sandbox style of scavenger-hunt play featured in Mario 64 and Mario Sunshine. It features many hundreds of collectibles, called Moons, to collect through its levels (called Kingdoms), allowing you to progress from each level to the next after collecting a certain number of that level’s moons.

There are only 3 functional buttons, jump, hat, crouch. They can perform a range of actions based on context. Like crouch does a ground pound in the air, and then pressing hat throw will dive or roll depending if you’re in the air or ground respectively. Crouch and jump will perform a backflip on the ground. It’s interesting that they were able to condense the functionality of the game this much, but it’s kind of a shame that they didn’t use their excess buttons to more directly access functions like diving, even if it feels nice to groundpound into a dive. It can lead to pressing Y too soon after ZR, causing no dive to occur.

The sideflip requires you to have momentum before you can enter into the turnaround animation which cancels to the sideflip jump, unlike mario 64 and mario sunshine, making sideflips harder to do and more time consuming. Similarly, the spin jump requires a lot more rotation to initiate the spinning animation which transitions to the spin jump, and the spinning hat throw. Also, walljumping doesn’t give you much control over the angle you jump off, and doesn’t go as far as a regular jump, limiting its usefulness. Also unlike Sunshine, you can’t dive out of spin jumps, because dive is no longer its own button, but a function of ground pound. The crouch button will cause you to fall faster during a spin jump instead. Because of the nerfs in these moves, they’re much more limited in their functionality than their equivalents in Mario 64 or Mario Sunshine, which is kind of disappointing.

Every movement move has a niche, almost. Rolling is the fastest method of movement, especially downhill. Triple jumping gives you a high jump and works well with steps. Ground pound jump is the highest normal jump method. Long jumping lets you jump really far, but not so high (it’s technically outclassed by ground pound hat jumps for distance, but it’s faster to start up). Back flipping can be a bit faster to set up than a ground pound jump, even if it doesn’t go as high. Diving can cut your jump short, and both it and long jumping can lead into a roll. Spin jump has you hover for a long time, but otherwise doesn’t seem very useful unfortunately, especially since it takes so long to start. The side flip would be useful as a less effective and faster ground pound jump if it were easier to start. There is no fall damage, but there’s a stun for falling from a high height. I think this is an appropriate penalty. I don’t think fall damage would have added a lot to this game, and it’s a bit more forgiving for beginners.

Learning the full distance hat jumping tricks, both to jump as far as possible, and to climb as high as possible, is both fairly tricky and mildly technical. There’s a lot of states you pass through, and a lot going on in the process of the move. First you jump, then you throw your hat with Y, which can set mario’s rotation directly to the direction the stick is pointing, allowing him to make hairpin turns, then you press ZR, which triggers a ground pound, because you’re in the air, but if you tap Y during that ground pound, you’ll do a dive instead, and you continue holding Y, which keeps your hat spinning in place, so when mario touches the hat, he jumps off it. Additionally, in the dive state, you’ll bonk your head if you run into a wall, but after jumping off the hat, you’ll be in a neutral jumping state instead, allowing you to jump off walls, or even throw your hat again, but critically, it remembers if you’ve bounced off your hat already since the last time you touched the ground, and will not allow you to do it again.

0bc015 No.14145548


The full distance hat jump and its components are amazingly versatile. The jump off cappy resets your air state so you can walljump, making this trick one of the best ways to scale walls, and to jump across long gaps. Since tossing cappy lets you rotate in a direction instantly, it can be used in midair for up to two hairpin turns. The full hat jump somewhat technical to pull off, and honestly took me more than a bit of practice to figure out how to do and eventually become comfortable with, though it was really easy to perform whenever I wanted after I got the inputs figured out. It’s obviously not the most technical platforming trick I’ve ever done, coming from Mirror’s Edge, but it’s really interesting that they crafted this series of mildly difficult moves on purpose, giving them the properties they have. This definitely exists as pretty much a archetypical example of my idea about including lower affordance tricks that enable higher skilled players to have more fun with the game. The game isn’t built to require this trick at any point to progress, even the very last few hidden stages, but it is built to enable its use pretty much anywhere, meaning the game plays differently as you progress from lower to higher skill.

Underwater controls are sort of like normal jumping controls, dunno if this has been the standard for mario games for a while, but it’s very different from mario 64, and frankly a rational choice. Crouch can be used to ground pound in the water to dive, and pressing hat throw after that will have mario swim forwards quickly, which is sensible. Cheep Cheeps even use a similar scheme, letting you swim directly upwards or downwards with a button press, instead of rotating freely and having a “gas pedal” like mario 64 swimming controls.

Cappy is a rather flexible tool for attacking enemies. He’s a mid-ranged attack that can be held in place to act as a wall between enemies and you, and he’ll hit things on the way back too. The spin toss and homing attacks add further versatility, as does his ability to grab pickups that aren’t moons. The hat throw notably has you instantly turn in the direction you point on the analog stick, ignoring normal rotational movement rules, which is part of what makes it so versatile compared to the dive by itself. It also hits the area immediately around you, and functions as an air-stall, much like the spin attack from mario galaxy. It’s nice how they were able to roll together the functionality of the mario galaxy spin attack into cappy while also adding new functionality, though it makes me kind of sad that he probably won’t be there in the next 3d mario.

Levels have a very mild interconnectedness within them, though usually have a straightforward path of progression on your first trip through. The horseshoe level design pattern is used a lot, with areas divided either by gaps or walls that can be crossed or scaled with advanced hat jumps, so there’s a lot of small sequence breaks all over the place. Levels are slightly bigger than 64 levels, I think. Except for lake kingdom, which is clearly smaller than most 64 levels. There’s linear sections inside hidden areas, like there were in sunshine, but they have less “density” of level elements than sunshine levels, and consequently aren’t as fun/challenging as say, Noki Bay 6. I do however like that these linear challenges almost always have a second, more challenging, and usually slightly secret moon to collect, even if it’s still not very challenging. Levels in general are not hard to complete. The only significantly difficult level is Darker Side of the Moon, and that’s only because there’s literally no checkpoint for the entire thing. I’m not really impressed by the difficulty of even the harder bonus stages, like the hatless bullet bill stage on dark side of the moon, which I was able to beat in less than 5 tries.

0bc015 No.14145551


I think there are way too many moons frankly. Not a fan of the collectathon elements in general, though it’s more tolerable here than in other games. You basically have a world with a ton of moons, you have a goal of a smaller number of moons to complete, so you can get by with only picking up a few. Progression up to the first ending on the moon has a pretty steady pace, because the number of moons in each level is so dense, so you’re constantly tripping over moons and get into and out of levels fairly quickly, without much down-time in hunting out the last few moons. The later phases of the game, like dark side of the moon, and darker side of the moon, require you to hunt down a ton of moons before they become available, and this is where it gets tedious, since as you collect more moons, you leave behind the more obscure ones, and the remaining moons are less densely packed together, making it more time consuming to find and reach each remaining moon. Which leads me to say, there’s way the fuck more moons than there have any right to be. A lot of the moons are totally trivial, just find the thing that’s out of place. Along the main progression path of each level it’s pretty okay, because you have more or less structured content that you can follow that’ll give you close to enough moons to advance for solving that world’s issue, fighting the broodal + boss, and you can pick up additional hidden moons as you go. The ability to buy moons at the end of the game is weird. I guess it’s there because it gives you a way to cash in your coins and get to the 250 and 500 moon goals more easily, since the scavenger hunt gets really protracted and tedious at this point in the game. They also have the clever move of adding a moon rock to each stage, which spreads more moons throughout the stage once you’ve finished the moon level with bowser, which can help make the distribution of moons more dense at this late stage in the game. Getting moons as achievements from Toadette is a complete pain however, you need to sit through dialogue and the animation each and every time. This was not a wise inclusion in my opinion, especially since most of the achievements are extremely banal, like collecting a large number of coins, jumping a lot, throwing cappy a lot, etc.

The camera is REALLY GOOD. The max speed is maybe a bit too slow. A ton of areas have meticulously placed camera hints, or will lock the camera at simple angles for framing the action if that area has a mostly 2d layout. Most of the time they allow you to adjust the camera afterwards and will keep it at your adjusted angle rather than defaulting to the hint angle until you exit and reenter the camera hinted area. Some minor flaws are it can still be easy to get large objects in the foreground obscuring the camera (I’m used to moving it manually, so I didn’t notice much, but my dad had it happen a lot) and that it can obscure where mario is in tight spaces. These are fairly standard problems, and it’s hard to avoid the tight spaces problem without causing MGR style camera issues, which are arguably worse.

Each of the broodal bosses is deliberately designed with a quick way to kill them, which is pretty cool. Like, they each function in cycles, where you normally need to wait through their attack and then they set up for you to get a guaranteed attack on them, but there’s always a way to interrupt their attack cycles, like with the purple one, you can hit her bombs back at her with a good angle to knock her hat off early, and during her UFO phase, you can hit the bombs she drops up at her. The blue, yellow, and green ones, you can stomp on them when they turn into hats, forcing them back to their main phase. During the wooden robot boss fight, you can even get back on its head with a fancy extended hat jump. Notably, the Broodals are not invincible during phases where the robot is not knocked down, so they can be attacked when the robot is upright, which is an uncharacteristic decision by Nintendo. Inclusions like this and the existence of the extended hat jump at all indicate that Nintendo is getting a better idea of how to deliberately cater to speedrunners, without compromising on core gameplay.

0bc015 No.14145554


Levels have a lot of horseshoes, places where goals are placed near the start, usually separated by height, with little footholds, so you can get from the start to the end (or start to the middle, middle to the end) by doing the advanced hat jumps. Really obvious one is in the lake kingdom, with just a high wall separating you from the end of the level. Many levels have a clear (winding) path of progression you’re supposed to follow through the level and usually some side routes or back routes through the level that are shorter, or give different access to the level (cascade kingdom, sand kingdom, wooded kingdom, luncheon kingdom). Others are more sprawling, having a big open area with multiple objectives or no primary objective (new donk city, seaside kingdom, lost kingdom, mushroom kingdom) A couple are out-and-out linear (cloud kingdom, ruined kingdom, bowser’s kingdom, moon kingdom, dark side, darker side). Most of the winding path style kingdoms open up into total freeroam after having the main quests dealt with, thanks to new shortcuts opening up. What I would have liked to see would be more of a happy medium between the more linear challenges, and the complete freeroam areas. I would have liked to see the power moons consolidated more into more worthwhile challenges instead of a lot of, an obscene amount of, scavenger hunt shit. Moving from kingdom to kingdom works pretty well, as you only need a few and you have the freedom to improvise and pick stuff up as you go, but in the later stages of the game, such as unlocking dark side or darker side. It’s tedious to need to comb for almost every single moon in an area. Speedruns of all moons are 10 hours long. Darker side of the moon is just shy of 4 hours. To me, in the context of this game, this is an indication of a lot of filler content. The achievements with Toadette are in particular, a major time-waster to collect them all, and strike me as really unnecessary. Do we really need progression tied to throwing your cap X number of times or collecting X number of coins? It would be nice if every power moon were a challenge to collect in of itself, and if they preserved the way it’s interesting to route power moon collection across the level, because that is still cool. It’s nice to have the improvisational aspect of figuring out which power moons are easiest to grab in the most direct line as you zip across the level’s obstacles through weird routes, but with the compromise that if you’re not speedrunning, you don’t need to engage with any of that and many of the challenges are just kind of simple and one-note if done the intended way, which is kind of disappointing from a casual play perspective. Darker side of the moon is probably the hardest stage, but also the most linear and restrictive in how it can be tackled. It doesn’t emphasize the usual multi-threaded strengths of mario level design. It’s just a sort of tough execution challenge with no checkpoints at all. A lot of the linear bonus sections that mimic Sunshine’s “secret” stages are similar to this, and don’t have the same diversity of platforming options as even Sunshine’s secrets offered.

It was also cool how new donk city littered the city with cars that could be jumped off of, and poles that could be flicked to get a boost upwards or forwards. New Donk City has a lot of routes across it, and most of them involve platforming, which works really well with the different height, multi-terraced buildings. New Donk City is a stand-out for this style of sandbox level design. It’s a shame it wasn’t larger, and maybe that it didn’t have more girders going between buildings.

It’s disappointing they didn’t do more with the moon physics on the moon level. You have an outdoor platforming section which is really small and easy, even by the game’s standards up to this point, and all the indoor sections have normal gravity. You fight a boss rush with the Broodals in low-G on the dark side of the moon, but that’s still a disappointing use of the physics changes. It’s interesting how it’s possible to turn so much more in the air in low-G, even off a walljump, but there isn’t any level design to take advantage of this, so again, it’s just kind of a waste.

The koopa races are cool, and are always set in a part of the level with a good linear goal, but which is also mutli-threaded. Or they start at the beginning of the level’s intended progression, with the goal at the end of that progression, which demonstrates how those levels are multi-threaded in of themselves. I’ve seen a number of different ways of beating each of these, which suggests the depth of the game mechanics and the level design.

0bc015 No.14145556


I actually had my Dad play the game a little. He doesn’t really play video games, but he was interested in this one when I got it, remarking that he wanted to give it a try, having played the old ones, but then the new ones got too complicated for him and he lost interest. Given the game essentially operates everything on 3 buttons, I decided it was worth a try, to see how hard it would be for him, also as a case study of someone learning 3d action games for the first time.

To give some context, he was completely unfamiliar with the controller, didn’t know what any of the buttons did. So I had to show him that the A button was confirm, and B was cancel. As he played, he frequently looked down at his controller to double check the buttons he was pressing.

He was used to using the R button to lock the camera behind him, probably from Tomb Raider 2 and 3 having a similar functionality forever ago, but was not used to using the right stick to point the camera. When he wanted to see something offscreen, he’d frequently either try to move mario over to get it on-screen, or strain his head trying to look offscreen. He got REALLY disoriented when he tried the Jaxi for the first time for example

His movements with mario on the control stick were very jerky, reminding me a lot of when I was first learning to drive a car, making microadjustments, rather than one continuous fluid motion. Over time he learned to move more naturally and slowly got used to using the right stick to aim the camera, forgetting to use R to center it now that he had a new tool instead of smoothly integrating both. He also got confused about which direction to hold the stick to rotate the camera in the direction he wanted, and very frequently ended up with the camera at a much higher or lower angle than he wanted. Also he’d frequently get foreground objects obscuring mario, but because he wasn’t used to using the camera, he’d end up not moving the camera to get it out of the way automatically. Or in tight spaces, mario would be obscured, and he wouldn’t be able to tell where he was.

He had trouble avoiding a number of things, even in the 2d sections and reacting to things coming at them, often overreacting, and walking straight into obstacles, or jumping into bottomless pits. He got a bit frustrated by losing, even though the penalty wasn’t that high, but I could definitely see him improving over time, even if he didn’t notice it himself. At first he wanted to collect all the coins he saw, but I pointed out that he had like 500-600 coins already and he didn’t need the coins that badly. He wasn’t used to building a 3d model of the area from what he saw and frequently got turned around while navigating, going past where he wanted to be, or moving out of place and not realizing where he was anymore.

He also tended to miss details, like all the buildings in the town in the sand kingdom, walking straight through without paying attention to what was around him, though it may have been possible he was just really focused on the objective. I mostly gave him light hints and reminders of the controls to help him along, but generally tried to allow him to fail for himself instead of telling him the answers to problems. I did point out a few hidden moons however.

Versus the purple broodal, he frequently walked into her bombs instead of avoiding them. His ability to aim the analog stick for throwing cappy was also not great, doesn’t seem to connect the direction of the stick to the character on-screen very well yet, though judging perspective can honestly be tricky. After he failed at the broodal fight multiple times, I ended up doing the fight myself, to show him the advanced tricks for the fight, and beat her in one go, stopping before the last hit and killing myself so he could give it a shot. He was then able to get her on his next try.

The difficulty being as low as it is makes it a good fit for someone who has basically never played a game before, which I think was the intent, but it’s pretty obvious that it’s still really difficult for someone to learn how to use a controller, remember the buttons, and aim the camera for the first time if they don’t have a background in it, even if most experienced players find that mundane. It’s probably worth remembering that players like this exist, but it’s hard to say what should be done to help them out. Mario Odyssey happens to be really convenient for this purpose, but Dark Souls or maybe even Zelda would be insurmountable in comparison.

In this way, Odyssey’s mildly multi-threaded level design that allows for advanced players to challenge themselves, and gives them harder moves to figure out and use is a decent compromise. I don’t think the scavenger hunt style design really suits the purpose of benefiting the beginner or expert however. Beginners get lost easily, and experts are likely more annoyed at having to comb the levels.

0bc015 No.14145558



So, the more interesting captures in the game I’d say are the cheep cheep, uproot, hammer/fire/fryingpan bros, tropical wiggler, shiverian racer, gushen, lava bubbles, Pokios, bowser, and yoshi.

Overall my remark on the captures is they’re mostly pretty one-note and not that interesting, which I honestly should have expected since before the game came out. Trying to make a ton of things deep usually doesn’t work as well as adding more depth to a few things (better to go multiplicative instead of additive). All the captures suffer in that they can only use 2 buttons, B/A and Y/X, since ZL/ZR are used to release the capture. So all the captures are pretty simple, and I’d say the ones that are most interesting are the ones that do something unique with their control scheme, despite their limited button count.

Cheep Cheep let you move freely up and down underwater, which I think is fairly cool in a Zone of the Enders kind of way. Can also spin to go faster and attack. If directed out of the water, they can jump higher out of the water than mario can alone, giving them a unique utility in that regard.

Uproots are pretty cool. Instead of jumping, they grow taller. Then, when the button is released, they snap their legs up to the top, and do an itty bitty jump. This means they can touch anything up their entire length while grown up, and can walk off ledges and jump up overhangs. It also means you need to be careful of their feet when grown up, which is an interesting consideration to have which jumping normally does not.

The hammer bros are neat mostly because their standard form of movement is jumping, and you can jump out of their jump, giving them a sort of double jump. Also they hurl their respective weapon in a random arc in the general direction their facing, which can be kind of annoying when it doesn’t cooperate, but it feels kind of cool to use.

Tropical wiggler are unique, extending themselves across gaps, carrying their length along like it’s a flexible rope. Similar to the uproots, they’re vulnerable along their whole length, and their sections are usually designed around this, creating a unique “platforming” challenge, like those old games where you need to draw a line across an area without letting the line get hit until it’s done.

The shiverian racer can be kind of interesting. To go fast, you gotta bound every time you hit the ground, and keep steady control over which way you’re going, as well as the angle of the ground you land on, which can be an interesting combined challenge.

Gushen are mildly cool. They can jet along the water extremely fast, but also adjust their height in the air, practically flying above the water, much like a cheep cheep does underwater, except to descend they need to drop like a stone. They can also hit things by either getting above them, or pointing away from them, both of which can be tricky to manage, since you’re affecting your movement at the same time as you do this.

Lava bubbles are kinda basic, their big deal is that they can jump really high, and only move in lava, so their levels tend to be about jumping between puddles of lava. They don’t have much air control either, so you need to build up speed to get a good jump with them, and you generally have a lot of commitment. It’s also cool to aim for the tomatoes to make new puddles to jump into. The cookatiel fight with the lava bubble is really neat, platforming onto blobs of lava suspended in the air.

Pokios are really cool. They’re kind of a play on the poles and forks which were featured in the game before them, but they’re much cooler. They can attack with their spear beaks, but also poke into any soft wall and flick themselves in any direction up or along the wall, giving them very unique platforming challenges. Their moveset is deep enough and has enough potential that you could probably build a whole game around them and it would be pretty decent. To use them well, you need to carefully time when you poke into the wall, you need to flick accurately and move in the air to get around corners, while still orienting yourself towards the wall so you can peck into it. Using them effectively is a real challenge, and they get a few really nicely designed sections. It also helps that they can redirect bowser’s bombs like billiards balls and do a spin attack with their spear beak, also a motion control air stall.

Bowser is basically Strider. He can attack while running, triple jump, and shoot fireballs. Honestly, on review, his section is better mostly because it has some neat level design, rather than because the capture is particularly interesting, though the capture does go hand-in-hand with the levels, placing blocks in your way that need to be attacked to get past. Also the falling boulders, ground falling out on you, and rolling rocks help make it interesting. There’s a lot going on all at once, and you’re expected to keep moving while dealing with it.

0bc015 No.14145560


Yoshi really suffers from the lack of a groundpound button, since he’s basically just Mario with a tongue and flutter kick. The tongue can be used to grab stuff like enemies and fruit, or to grab onto walls and hang onto them, then awkwardly dive off the walls. Flutter kick lets you hover, which is pretty okay. It does not allow you to gain any height however. Yeah, Yoshi’s kind of boring.

Overall I think the most appropriate rating is 7/10. It has the spark with a neat moveset, but it’s not an amazing game. I’d say most of the game’s faults come down to not pushing the challenge and multi-threading in its level design as much as it could. I’d like to see a game with more routes through its levels, and all of those routes being more challenging, even if the challenging content is reserved for the end. Still, it represents a small shift in the way Nintendo is thinking about their games lately, trying to be more accommodating of multiple skill levels.

2e8ee9 No.14145609

Mario Odyssey is garbage. Best handling Mario game, but all the levels were garbage.

82fb73 No.14145615


>This isn't anything new. It's bonus content for people that just want to play more.

No, it's the entire god-damned game. Also, extra content in the galaxy games was nice because they added challenging requirements to existing levels that at least required skill and felt like you were being rewarded with challenge.

<Secondly, if you don't want to collect the stupid moons, you can just buy the extra ones with coins you earn by playing well in the game. If you go out of your way to collect them and not dying.

>When collecting macguffins in a collectathon is so bad that the developers relegate a large portion of macguffins to an in-game store for people who don't want to play the game

I kid, but why add these in when they could have just reduced the amount of moons?

>And christ man if you don't want to play the game then don't collect them.

You're right, but I'm an autist who likes to see things through so that's on me.


>Yes, and it's like Dark Souls too. Can't you make your case without using poorly-made comparisons?

You can't deny that both games put a lot of their time into collecting shitty macguffins, and it serves as the main source of progression. That and vast stretches of "open-world nothingness" Even at a glance I feel that even casuals would have no problems equating the two.

0bc015 No.14145619


>You can't deny that both games put a lot of their time into collecting shitty macguffins, and it serves as the main source of progression. That and vast stretches of "open-world nothingness"

You're right, OP. Now stop being retarded about it.

16ebda No.14145631

Couldn't watch the video for more than thirty seconds without laughing that Anderson had to slow down his own audio to make up for his diction, which has to be worse than the clickbait title.








Jesus christ anon, you just had that sitting around on your desktop for some reason?

1a0da3 No.14145648


>No, it's the entire god-damned game

That's a fucking lie and you either didn't play the game or you've got some really shit memory.

You do not need to collect all the moons to progress to the next level. When you first reach a world you need to collect maybe 1/5th of the total moons you could collect at that moment, many of them being from actually playing through the world itself without looking for bonus stupid ones.

>Also, extra content in the galaxy games was nice because they added challenging requirements to existing levels

Yeah, like replaying the same level with a character that handles slightly differently although not really.

Fucking groundbreaking right there.

>but why add these in when they could have just reduced the amount of moons?

Why would they? What's the point of asking for less stuff to do?

If there were less moons people would complain about Odyssey like they do about MGSV saying that there are completely empty and pointless stretches of the map. At least they're there and you can find them while going through the level to get to longer challenges.

You can buy moons in case you can't find the last few you need, you're stuck or you just cannot be fucked finding them.

By the way

>actual discussion about a game in a thread that started kind of a shitpost

I'm very impressed with /v/ today

0bc015 No.14145662


I just save interesting texts I find over the internet in my .txt folder whenever I see one.

>Couldn't watch the video for more than thirty seconds without laughing that Anderson had to slow down his own audio to make up for his dictio

He did? I thought he was speaking rather inappropriately slowly, though slowing your speech down is rather embarrassing. Wasn't really prepared to sit through two hours of that shit.

16ebda No.14145674


It's most obvious at the 0:45 clip, which has some really unnatural audio stretching

82fb73 No.14145676


>Anderson had to slow down his own audio to make up for his diction

Yeah, I'm not really sure why that's even in there. The audio was fine for the rest of the video, but for some reason he just shat out the first 1:30 and called it good.


>You do not need to collect all the moons to progress to the next level. When you first reach a world you need to collect maybe 1/5th of the total moons you could collect at that moment, many of them being from actually playing through the world itself without looking for bonus stupid ones.

But that's incredibly shitty game design. If you don't need to get a majority of the six-gorrilian moons than what are they there for. And if the entire game revolves around getting these moons, what's that say about the content if you can beat the game while only getting 1/5th of them. It's back-to-back copy-paste filler.

>Why would they? What's the point of asking for less stuff to do?

I don't know, maybe they could have used that time to make quality levels with 200 or so good moons instead of the barebones recycled content they reuse for the vast majority of the game.

19cd36 No.14145682


Could point out how half of that shit you said is wrong and you've most likely never played those games but I'll just call you a faggot.


1a0da3 No.14145713


>But that's incredibly shitty game design. If you don't need to get a majority of the six-gorrilian moons than what are they there for. And if the entire game revolves around getting these moons, what's that say about the content if you can beat the game while only getting 1/5th of them. It's back-to-back copy-paste filler.

That's how collectathons are built man. The vast majority of people that play will never collect everything in the game, you can't expect to have finishing the game locked behind 100% completion, no game does that.

Every game has filler, you just dislike this particular one because I don't think you enjoy the gameplay itself. I'm huge into 3D platformers and the joy of just moving around the level and controlling Mario is all I need to keep playing.

If you actually enjoy the genre then the moons are just a mean to get you to play around with the moveset itself.

7a06a5 No.14145744


>actual discussion about a game in a thread that started kind of a shitpost

>I'm very impressed with /v/ today

You come across as a faggot

82fb73 No.14145802


Look, I know what you're tying to say here, but I personally can't say that SMO is a good collectathon. I'd also argue that it isn't very good as a 3D platformer because of how much the collectathon aspect bog down an otherwise solid game with good mechanics. Future collectathons are (hopefully) not going to learn anything from Odyssey. Imagine playing Banjo, DK64, Spyro, or any other game in the genre, except they reward collectables for anything and everything and there are fives times the amount of them. The games would almost have to be remade in a way where all those collectibles fit in somewhere, which would lead to scenarios like in SMO where you get some for ground pounding random tiles or glowing spots on the ground. The insane amount of padding only serves to push out decent instances of platforming and difficulty or makes the reward for doing decent platforming mute because you get rewarded for everything.

If you dig SMO for the controls I can understand that. But for me, I can't enjoy the game on that level when I realize how utterly filler the entire experience is.

1a0da3 No.14145846


>his only other posts consits of calling someone a nintendrone

Didn't realise I was in the presence of such a great user, I am very sorry


That's alright. Everybody's got a different thing that makes a game click for them.

4249df No.14145868

OP, it's perfectly acceptable to be sick of anything resembling open world at this point, but don't use critics to back up your views. They carry no authority and using them to argue your points for you ends up creating a monster. Just ask /tv/ how they feel about Red Letter Media these days.

02017c No.14145869

You're a faggot and probably used a guide.

fc3d02 No.14145955

File: 8c8fb4ac9104090⋯.jpg (46.43 KB, 587x585, 587:585, 8c8fb4ac9104090977d7784969….jpg)

I don't quite agree with everything Anderson says here, but he IS right in regards to the moons being mostly meaningless and almost lazy. For fuck's sake they're literally just given out like candy most of the time, are or just "hidden" in easy to find places aside from a handful that are just tedious to get like the dogs sniffing around, the jump rope challenge, etc. The power moons aren't set up like the Power Stars or Shine Sprites, where you have to overcome some sort of challenge or puzzle that takes at least a good 15-30 minutes to get, and then you get the little spin/dance "congrats you got one!" bit. You only NEED about 200(?) or so to reach the end of the game that's about how many I had when I reached the Moon Kingdom at least. And knowing I need another 300 more of those trite motherfuckers to reach the end game "challenge" content (which i've seen isn't really all that challenging) has made me drop the game completely after beating the main story. Power Moons being everywhere make me feel like they didn't want to put ANY real challenge into the game whatsoever, and didn't want anyone to feel like they might've missed a moon, so they reward you with a power moon for the most trite, dumb shit more times than not. Getting Multi-Moons for beating bosses and doing bigger stuff, yeah sure that's great (if the bosses actually had a modicum of difficulty, that is). But handing out moons so often, so easily, for doing no more than walking around a little, talking to NPCs, completing Time "challenges" while hatless, etc. It's far too easy, far too simple, far too rewarding for doing things any other game would expect you to do normally, while in the process of reaching the "end" of obtaining a Power Star/Shine Sprite/Golden Banana/etc.

Super Mario Odyssey is SUPPOSED to be in the same vein as SM64 and the Galaxy titles but it doesn't feel like it. At least the movement was super fun to pull off, and the game's got great presentation. I'm not trying to say SMO is a BAD game, because it's not. But it shouldn't be held in the same regard as Galaxy 1/2 or SM64, not even remotely.

006ea1 No.14146006


>i hate [insert popular game]! look at me! love me!


7a06a5 No.14146015


>implying I came here to discuss anything when I haven't played the games

you don't have my post history fag

1a0da3 No.14146025


It's probably just a bunch of anime pictures and ironic greentexts anyways

7a06a5 No.14146032


Whatever helps you sleep at night fag

1a0da3 No.14146044


The only thing I think of at night is your mom

7a06a5 No.14146051


>he wants to continue the shitposting for some inane reason

I'll leave you and this thread alone for now; I'll just let you know that you're way too easy to drag down

1a0da3 No.14146061


Thread's done either way

1e51c7 No.14146120

File: b9f57d2dd0de22a⋯.jpg (41.59 KB, 500x644, 125:161, 1418583874388.jpg)

The reason people ate it up is because there is nothing else better on the main market for them to buy since the main audience doesnt look past a walmart or gamestop.

And its Zelda

b0d56b No.14146126


i share his sentiment, the only thing i think about at night is also your mom

82fb73 No.14146395

File: 4ab8e28e3d0881c⋯.png (34.09 KB, 329x481, 329:481, 2018-01-12-142553_329x481_….png)


I see. It wasn't really my intention to justify my onion on the game by posting a 2hr youtube analysis vid, but Anderson does cover a lot of what I felt was wrong with the it. Mainly the issue of recycled content and the endgame unlocks at 500 moons being underwhelming. The majority of the video is just him tallying up all the moons in the game and categorizing them to find out how many moons out of the 800 could be considered unique content.

Unfortunately, most critics (for what they're worth) consider SMO to be a literal 10/10 perfect game, somehow completely ignoring any flaws the game has. I honestly don't know why this bothers me as much as it does. This obviously isn't the first time a game has received overwhelming praise or a perfect score by critics while being nowhere close to a flawless game.

7a06a5 No.14146667


>a game has to be flawless to be a 10/10

damn, hot takes

Anyways it probably bothers you because its an "its okay when Nintendo does it" type situation, or just how obnoxious it is

Its not just critics but normalfags and a lot of anons here on /v/, so of course its going to be overwhelming

Plus its a massive game by the largest company in Japan, you'd think people would be willing to be more skeptical and hard on them but they suck them off

264162 No.14147815

File: 7749a5c3439613d⋯.png (1.2 MB, 800x1400, 4:7, mike pence get the clamps.png)


>watch some of the video

>doesn't like Sunshine

>says there's nothing interesting to see in Odyssey

>is a literal faggot swooning over Chris Pratt

This is why we must electrocute homosexuals.

7b4f6c No.14155523

bump just to see how thread does with a second wind

7b4f6c No.14155553


>how dare people have a discussion about videogames on /v/

I liked it, lel

a4f134 No.14155563


Not much of a discussion though is it? OP said some dumb shit and most of the thread told him to stop saying dumb shit.

804d1e No.14155748


>says Yoshi's Island is his favorite Mario game

>complains about Odyssey's power-ups being replacements instead of enhancements

>brings up how every other major Mario game had power-ups that were mostly enhancements rather than replacements

>suspiciously leaves Yoshi's Island, a game where all the power-ups were replacements, unmentioned

Really makes you think. Speaking of autistic gaming channels, whatever happened to Matthew Matosis?

a4f134 No.14155854


According to his Patreon he's making videos full time and is getting about $900 per creation.

Last video he posted was months ago and he made like 7 videos last year.

Was kind of hoping he'd have done a Bloodborne or another Souls/Nioh video by now. The really long Demon's Souls and Dark Souls videos were pretty good for falling asleep to.

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